![]() ![]() The people of Rapture seem to be going about their business, often quite indifferent to my presence. When science was allowed to flourish outside the bounds of morality in a free and unregulated market, citizens began making drastic genetic modifications to themselves, and soon the entire city was in disarray as its citizens became more godlike, but at the cost of their sanity. And Rapture not merely a static backdrop it still breathes-or rather gasps-as it leaks, creaks, and crumbles farther and farther from its idealistic foundation. ![]() A surreal mixture of art deco architecture and wondrous technology, it creates a harrowing backdrop that inspires both awe and dread. Without question, Rapture is one of the most provocative settings ever created in a videogame. It was to be a collection of the world's greatest minds, free of the shackles of collectivism that, in Ryan's view, constrained mankind from reaching his true evolutionary destiny. Set in an alternate-past 1960, Rapture is a failed capitalist utopia, a monument to individualism and rationality masterminded by eccentric industrialist Andrew Ryan. But while BioShock begins with a great deal of promise, ultimately only some of that promise is realized. And such is the nature of BioShock-the entirety of the game is experienced from the protagonist's perspective as players are propelled through a tightly scripted narrative that feels like a strange hybrid of science fiction and philosophical exposé. This was no full-motion video cut-scene, but a tightly scripted set piece that pulled me into BioShock's world with a sense of frightful urgency. My stomach tightened anxiously as I spied the massive entrance to Rapture off in the distance. Its opening sequence, placing the player in the middle of the Atlantic Ocean surrounded by the fiery debris of a sinking plane, is one of the most dramatic prologues I've ever seen in a videogame. From the moment BioShock began, I knew I was in for something special. ![]()
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